Faces of BDC: Eva

Broadway Dance Center is truly a melting pot of dancers from across the globe. We think it’s important to find out who they are and why they’re here.

We present Faces of BDC, where we’ll introduce you to a student and share a bit of their story.

First up…

eva-esterbrook1

 “My parents put me into dance class when I was little, because I was an energetic mess!

Eva Esterbrook, 19 – Seattle, Washington

Pro Sems Shine in Closing Showcase

images1On Sunday night the Fall 2012 students of the Broadway Dance Center Professional Semester took the stage at the Manhattan Movement Arts Center for their closing showcase.

The breathtaking program included works by BDC choreographers (Ashle Dawson, Katherine Roarty, Neil Schwartz, and Jim Cooney), student choreographers (Danielle Burdick, Aline Bennour, Sahar Taklimi, Alex Faglie, Claudia Martinez, Makenzie Dascenzo, Brittany Metelko, and Cassidy Gerczak), and guest performances (Rhapsody En Dance, MADboots Dance Company, and Parsons Dance Company).  And don’t forget the show-stopping BDC Glee routine to “Total Eclipse of the Heart,” directed by Bettina Sheppard and Jason Aquirre.

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The evening spanned the gamut of dance styles (Latin jazz, contemporary, hip hop, musical theater, and tap) and revealed the tremendous talent and versatility of the Professional Semester dancers.

Congratulations to the Fall 2012 class of the BDC Professional Semester.  We are so proud of your hard work and dedication and cannot wait to see where your dancing will take you!images3

  • Alex Faglie
  • Alyssa Lemons
  • Asher Walker
  • Briana Justine Harmon
  • Brittany Metelko
  • Camille Moten
  • Carmela Girdlestone
  • Cassidy Gerczak
  • Claire Page
  • Danielle Burdick
  • Erica Misenti
  • Katie Homer
  • Kat Brooks
  • Kelvin Kim
  • Makenzie Dascenzo
  • Meghan Robertson
  • Monica Coulis
  • Nicole Butler
  • Nicole D’Arienzo
  • Sadie Jones
  • Shadae Jenkins

Bonnie Erickson – Director of Educational Programming
Carie Jurcak – Educational Programs Student Advisor
Jim Cooney – Faculty Advisor
Bronwen Carson – Acting Coach
Bettina Sheppard – Vocal Coach

Learn more about Broadway Dance Center’s Professional Semester Program.

BDC Alumni: Where Are They Now?

Want to know what’s up with BDC’s Training Programs Alumni? Take a look and be amazed!


images1KEY:
PS = Professional Semester
SIP = Summer Intern Program
ISVP = International Student Visa Program
TP = Training Program

Stephanie Brooks (PS S’11) performed in “My Fair Lady” with the St. Jean’s Players.

Emily Bufferd (SIP ’06) is currently producing “Ho, Ho, Holiday Show” to benefit Toys for Tots.  Her company, BEings Dance, will be presenting a work in Shelly Hutchinson’s New York Moves Hurricane Sandy Benefit Concert and APAP at Jazz at Lincoln Center.  Emily currently teaches at Broadway Dance Center and Peridance and produces the annual Young Choreographer’s Festival.

Mary Callahan (PS F’11) was cast in the revival workshop of “Sugar Babies” this fall, and will be heading to Vero Beach, Florida to perform in Riverside Theatre’s production of “Funny Girl”.

Nikki Croker (PS F’11) just finished performing “Dancing Queen,” an ABBA musical revue in Niagara Falls (Spirit Productions) and is currently performing in their annual Christmas Show.

Jenny Dailey (SIP ’12) signed with Clear Talent Agency (LA) and has performed as a dancer on “The X Factor” and the Mexican Billboard Awards.

Lexi Dysart (PS F’11), Catherine Hidalgo (PS F’11), Tina Jackson (PS S’12), Laura Mallon (PS F’11), Carissa Mitkiff (PS F’11), Chrissy Palczewski (SIP ’11), Bella Takkunen (ISVP ’12) are performing in Jona Biddle’s commercial dance company.

Alexa Erbach (PS F’11), Emily Kersey (SIP ’12), Alyssa Lemons (SIP ’12, PS F’12), Lizz Picini (SIP ’11), and Tori Simeone (SIP ’11) performed in Ricky Hinds’ SPANGLES Dance Company in the 2012 Macy’s Thanksgiving Day Parade.

Latoyia Everett (PS F’11) is now the Company Director at Camille’s Dance Edge, a new member of the NLL Washington Stealth Bombshell Dance Team, and is the choreographer for Seattle University’s Dance Team.

Stephanie Gaines (PS F’11) is teaching at the Ohio State Mansfield campus, Pioneer Performance Arts High School, Richland Academy of the Arts and for the competition team at Spirit Gym.  She recently performed with Marden Ramos’s (former Complexions dancer) company, Danza Libre at the Ohio State campus.

Emily Gallo-Lopez (PS F’11) is dancing for Royal Caribbean Cruise Line.

Taylor Glassman (PS S’12) is a member of Long Island/NYC based dance company, AbstraKT Beings, and has had the opportunity to work with choreographers such as Cris Judd, Robert Hoffman, and Judson Emery. Taylor will be performing with the company at Carnival NYC in Spring 2013. She also teaches hip hop, ballet, and jazz to children and teens at Lisa Mennilli’s Dance Academy in Monroe, CT.

Kimberly Hamilton (PS F’11) is a cheerleader for the Tampa Bay Rain basketball team.

Kelvin Kim (SIP ’12, PS F’12) and Emily Palmquist (SIP ’10) performed alongside Victoria Justice at the Rockefeller Christmas Tree Lighting.

James Koroni (SIP ’08 + ’10) is the founder of Enforced Arch, a community of dancers who dance for various social and environmental causes.  James was cast in “The Man Who Wasn’t There”, an avant garde performance piece that was presented throughout New York City and ended it’s performance season abroad in the Edmonton International Fringe Festival in Canada. He continues to choreograph for and perform in music videos and multimedia dance projects.

Laura Mallon (PS F’11) booked work with Chez-zam Entertainment.

Daniel Montera (PS F’11) was hired to train coach and teach a young competition team on Staten Island. At Dance Xpress he intensively trains the children in jazz, lyrical, contemporary, and street styles. He will choreograph over 15 numbers, and 2 productions for the team as he prepares them for 2 regional competitions, and a national this July.

Kelsey Netting (PS F’11, TP S’12) is a freshman in the dance department of Loyola Marymount University.

Theresa Sivard (PS S’12) will be choreographing and dancing in a piece for the office Nobel Prize after party.

Samantha Sweed (PS F’11) has booked background work on such TV shows as “Smash,” “The Carrie Diaries,” and “Project Orange.”

Ellena Takos (PS S’12) just finished performing “Dancing Queen,” an ABBA musical revue in Niagara Falls, Canada.

Alissa Tucker (SIP ’09) recently finished a contract on Norwegian Cruise Line as the flight and dance captain on the Norwegian Spirit. She is currently in Salt Lake City teaching Jazz for the Ballet Department at the University of Utah.

Laura Volpacchio (SIP ’08) is a swing for the national tour of “West Side Story.”

Asher Walker (SIP ’12, PS F’12) signed with Clear Talent Agency.

Amberlyn Wemmer (PS F’10) is signed with Paragon Model Management and has recently shot fashion spreads for Tu Magazine, Nylon Magazine, and Elle Magazine.

BDC’s Next Top Model: Amberlyn Wemmer


images1Amberlyn Wemmer
studied in Broadway Dance Center’s Professional Semester back in the fall of 2010.  Since moving from small town California to the Big Apple, Amberlyn has literally graced the runway thanks to her extensive ballet training. Hear how Amberlyn’s dance background helped her to break into the modeling industry:

1) How did you break into modeling? (ie. photo shoots, landing an agent, booking work, etc.)

An agency owner approached me in Union Square and asked if I was interested in modeling. I had never really seen myself as a model but was curious to see what it would be like. I said sure, and they signed me right after. Then, I started test shooting right away in order build a portfolio. Once I had a book, I started attending castings and go-sees. At first, I was doing mostly runway. Booking editorials took time and patience but once the contacts were made and my book got strong, I was able to get more work.

 

2) Do you think your dance background helps you in modeling? If so, how?

My dance background has helped immensely in modeling, and I think it is what makes my book unique. As dancers we study our bodies everyday and understand how we look and emotions we project. Instead of a mirror in front of you, it’s a camera in modeling, and it’s your job to create shapes, movement, and energy to bring you and the product to life. It is never just a picture; there is purpose behind each position. As for runway, dance core strength you have acquired in class becomes a plus. Just think of it this way, dancing in LaDuca’s is the prep work for walking in the 8 ½ heels.


images43) How is the modeling world similar/different to the dance world in terms of lifestyle, auditions, booking work, etc.?

No matter what industry you enter whether dance or modeling, it is always going to be competitive. It is important to find your own identity and how to market yourself. In both the dance and modeling world, your body is your instrument and you only get one so it’s important that you take care of it and how it looks with a balanced diet, sleep, and exercise. For most model castings, it is usually a “type cast”, which can sometimes be very frustrating. For dance, maybe your technique is not up to par so you hop in a few more dance classes; however, in modeling, it may have nothing to do with your ability but simply you are not what they are looking for. In that case, you move on to the next, and you may be perfect for that one. You never really know what a photographer might be looking for.


images54) What has been your favorite(s) shoot so far? Have you gotten to travel anywhere exciting?

I have really enjoyed shoots where I am challenged to create a different persona. It is about becoming someone who may or may not be like you. My favorite shoots are always where we are collaborating together- the makeup artist, stylist, photographer, and model. I absolutely love when I have shot for Nylon magazine. We always have so much fun that it hardly seems like work. I had the honor of traveling to Mexico City for three months, which was amazing! There is such a diverse market there that is up and coming. I cannot wait to see where I travel next. I am hoping for Europe!


images65) What advice do you have for dancers who want to break into modeling?

My advice for dancers breaking into modeling would be taking pictures takes practice. Like dance, there is technique, and it is only with practice that you can improve body language and emotion to make an aesthetically pleasing picture. More importantly, remember your dance foundation. People find dancers fascinating and that makes you stand out. Use your training to your advantage on the runway and in your pictures. It makes you unique and gives you a certain rhythm, grace, and awareness. In whatever field you choose though, don’t give up despite the criticism. Use your instrument to define you and your art.

Student Profile: Kayla Janssen – Adidas Dancers Wanted Challenge

My name is Kayla Janssen and I am the Global Winner of the Adidas Dancers Wanted Challenge 2012. I studied at the Broadway Dance Center Professional Semester back in Fall 2011 and since then decided to move back home to Antwerp, Belgium.

Through a nudge from my boyfriend and not having much on my plate, I decided to enter the competition. I had to create a video (small music video) to a song create by Adidas and show off my moves. So I did. I went crazy asking all my friends, family and people with computers to vote for my video.

And it worked! On one cold summers evening in July, I received the email from the Adidas headquarters in Germany that I had won the whole competition – the Global Winner! I screamed, jumped around, then had to read the email again just to make sure what I read was true. *

I won a free trip to LA with a friend and was able to have a dance session with Nick Florez and R.J. Durell, Katy Perry’s California Dreams Tour Choreographers. I brought my boyfriend as a thank you to him for that initial nudge. I was in LA in the first week of September and it was magical. We received the full “Adidas Experience,” as they called it. Day 1 consisted of a full shopping spree in the Adidas store in Santa Monica, Day 2 was our amazing dance session with Nick and R.J. Day 3 was a full day at Universal Studios and Day 4 was a helicopter ride over Los Angeles and an evening at the Scratch Academy LA, learning how to scratch a record the right way.

My highlight of the week was definitely the session with Nick and R.J. They were so warm and welcoming and made us all feel like one big family. Their choreography was fun and funky and by the end of the session we were able to create a small little music video. Katy Perry Tour Dance Leah Adler and Adidas Dancer Tyne Stecklein were there to dance and play with us. Nick and R.J. then surprised us with a Q&A session with ALL of Katy Perry’s Tour dancers, who were rehearsing in the studio next door. We asked them everything, it was like we were speaking to rock stars. Watching them rehearse and being a fly on the wall for that 1 hour was insightful.

Back in Belgium, I am inspired and pumped. The “Adidas Experience” was everything I imagined and more. Take risks, try everything, and don’t be afraid of the word “no”. Work creates work so if you find yourself twiddling your thumbs watching TV, get that friend and that camera and start dancing in your favourite parts of town. Who knows, it might win you a trip to LA.

*There were 4 winners from Argentina who came along as well since Adidas Argentina decided to create a separate competition.

Good Afternoon America!

On Monday, July 9th 36 BDC dancers arrived at the ABC Studios Stage Door in Times Square, headed to their dressing room, and began warming up for their performance on the premiere of “Good Afternoon America,” a mid-day spin-off of “Good Morning America.”  Clad in our black leotards, fishnet tights, character heels, feather headbands, and pearl necklaces (the boys were in dapper white button-down shirts, black pants, suspenders, and bowlers), we headed down to the ground floor studio which was surrounded by windows looking out into the chaos of Times Square.  Tourists of all ages whipped out their camera phones to snap photos and children pressed their noses up to the window to watch us rehearse.  We danced to “New York, New York,” choreographed by BDC Theater teacher and the associate director of Broadway’s “Newsies,” Ricky Hinds.

Oh, and did I forget to mention that we were dancing for Liza Minnelli?!

Student Profile: Stephanie Brooks – Apassionata

Not Your Typical Tour
Apassionata, Dance Captain, Stephanie Brooks (Professional Semester Alum.)

“APASSIONATA has been Europe’s most popular live arena shows for
nearly a decade, thrilling more than five million fans across 15 countries with a breathtaking display of the beauty and the bond between horse and rider, man’s strongest and most trusted animal.” – Apassionata.com

Audition
During my final mock audition in BDC’s professional semester, I received representation from McDonalds Selsnicks and Associates (MSA). One of the benefits of having an agent is that sometimes they have closed calls with just their clients, if their choreographer was booked for the job. When MSA sent out the breakdown for a horse show audition, I didn’t know what to expect. However, I was excited when I saw that Lorin Latarro was choreographing; I loved her choreography in The Musical Theatre Performance Project last year. The audition combination had a lot of personality, was technically challenging, and stylistic. After cuts were made, she paired us up for partnering. I was overjoyed when I received the call that I booked the job and even more so when I found out a fellow colleague of mine was going to do it with me. (Go Wildcats!!!!)

Rehearsal
We rehearsed in NYC and learned a lot of material quickly, keeping in mind that a lot would change once we actually got to the arena. Our first stop was Kentucky. Technical rehearsal consisted of long days in the dark cold arena. These rehearsals involve a lot of hurry up and wait, but I found that during the waiting is when you can learn the most if you stay engaged. It was such a privilege to watch Ken Billington (96+ Broadway Shows) do the lighting design and learn from Scott Farris (dir. “Chicago” and “Walking with Dinosaurs”) as he brought together American theater and European Equestrian riders. Lorin Latarro (Currently choreographing “Scandalous” set to hit Broadway this October) pulled from her diverse performance background and allowed us to collaborate on certain parts. It was a very artistically fulfilling process.

Overcoming Obstacles
Dancing in sand, running with flags and fire torches was strenuous on our bodies. For body maintenance, I did some form of Pilates, Yoga, and rolled out my muscles with a tennis ball. We had to be flexible and try to figure out how to adapt the choreography in the sand, and how not to spook the horses or get spooked by them. During rehearsals you could hear Portuguese, French, German, Ukrainian, Icelandic, and English being bantered across the gigantic arena. After one of the first runs of the show, the horse choreographer called everyone together and our choreographer jokingly said it looked like a medieval conference. Picture 40+ horses and riders gathered together speaking different languages and four American dancers and a choreographer standing in a giant sand box. It was a surreal experience.

Stepping Up
As Dance Captain, my responsibilities were to run any extra rehearsals, communicate with the production team, maintain the artistic integrity of the choreography and spacing, make sure that the dancers safety and needs were met, and promote team unity. This production was a learning process for all of us. Most of our stage crew came from the rock concert world and we had to share with them certain theater protocols and vice versa. The communication between the tech crew, dancers and riders was extremely important, because the horses weren’t always predicable. We couldn’t depend on entering or exiting on a musical cue and it forced us to be quick on our feet, listen and watch each other. We developed physical and verbal cues and had to go with whatever happened in the moment.

Unique Atmosphere
Some of the perks of this job were that we had amazing caterers who traveled with us, we learned how to ride horses, picked up a little bit of French, Icelandic, and Portuguese, and got to work with and meet incredible people.

Unexpected Close
Due to the financial crisis in Europe, Apassionata’s USA tour came to an end early (It is still running in several countries in Europe). We were given less than 24 hours notice that we were going back to NYC and the rest of the tour was cancelled. Of course, we were sad and it’s always a little unnerving to be without a steady job, but nothing in this business is guaranteed. That’s why it’s important to save when you are doing a show, so that during the slow times you can continue to train and be ready for the next opportunity. I learned a lot from Apassionata and am looking forward to what the future holds.